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(iv) Oblique projection diagrams

In the oblique projection, the shape which appears in the foreground is expressed by the actual shape. Therefore, if a cube is assumed to be placed on a lattice, the square which is the front surface coincides with the unit lattice. Therefore, only the oblique lines which express depth are to be devised in this case to express a cube.
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(v) Use of long oblique lines

Let's use long oblique lines freely and try to change the image of the lattice drastically. However, it is not good if the diagram of the modified part is isolated from the whole. Therefore, it is necessary to note that the introduction part seems to continue from the square lattice to the oblique lines as smoothly and naturally as possible.

KOHSEI (Basic Art amp; Design) of a new type of three-dimensional effect is possible to be created by proceeding the above deformation.
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429
430
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431
432

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Figure 429: Composition of the cubic effect using oblique projection diagram in the lattice.
Figure 430: Expression of the cubic effect by distorting a part of the lattice into oblique nbsp;
nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; projection diagrams.
Figure 431: Destruction of the lattice using long oblique lines.
Figure 432: Creation of a shape with the cubic effect by destruction of the lattice using long nbsp;
nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; nbsp; oblique lines. nbsp;


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Cubism Famous Art

Les Desmoiselles d'Avignon (1907)

Artist: Pablo Picasso
Picasso's painting was shocking even to his closest artist friends both for its content and for its formal experimentation. The subject matter of nude women was not in itself unusual, but the fact that Picasso painted the women as prostitutes in aggressively sexual postures was novel. Their blatant sexuality was heightened by Picasso's influence from non-Western art that is most evident in the faces of three of the women, which are rendered as mask-like, suggesting that their sexuality is not just aggressive, but also primitive. The unusual formal elements of the painting were also part of its shock value. Picasso abandoned the Renaissance illusion of three-dimensionality, instead presenting a radically flattened picture plane that is broken up into geometric shards. For instance, the body of the standing woman in the center is composed of angles and sharp edges. Both the cloth wrapped around her lower body and her body itself are given the same amount of attention as the negative space around them as if all are in the foreground and all are equally important. The painting was widely thought to be immoral when it was finally exhibited in public in 1916. Braque is one of the few artists who studied it intently in 1907, leading directly to his later collaboration with Picasso. Because it predicted some of the characteristics of Cubism, Les Desmoiselles is considered proto or pre-Cubist.
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Cubism Artworks in Focus:

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For ten years Thackeray's production was mainly in the line of satirical humorous and picaresque fiction, none of it of the first rank., .








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